Tanveer Mir, the cinematographer of Aankhon Ki Gustaakhiyan, delves into how a color palette can elevate or derail the visual language of a film
New Delhi [India], July 18: As a cinematographer, there’s always a storm of thoughts running through your head. From the moment you read the script to the time you’re on set, there’s a constant inner struggle, thinking through everything from art design to costumes. You have to be extremely mindful of the color scheme. Being […]
Continue Reading