Rajat Pandey and the Return of the Sacred Eye
On childhood, devotion, and the quiet reorientation of contemporary Indian art New Delhi [India], January 27: Every civilisation produces artists who decorate its time and a rare few who quietly recalibrate how that civilisation sees itself. Rajat Pandey belongs unmistakably to the latter category. His recent body of work, Divinity in Innocence, does not announce […]
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